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Kanchanaburi folk dance, Thailand

Kanchanaburi folk dance history

           Folk dance from Kanchanaburi It is a traditional Thai folk dance and performance that is performed in various districts of Kanchanaburi Province. This traditional dance is not widely performed and is on the verge of extinction. During 1961, a Thai-Danish survey team excavated in Kanchanaburi Province to tell the story of prehistoric times. Mr. Chin Dee, the head of the Thai survey team, watched one of the native games played by the villagers of Ban Kao, which Mr. Chin saw and was quite fascinated in because he had never seen Singing and dancing like this before. Rum yew, also known as Kanchanaburi Folk Dance, is the name of this drama.

           Mr. Chin Dee then reported back to the Fine Arts Department that Rum yew was most likely a traditional Thai folk dance and play that was on the verge of extinction, and that Mr. Thanit Yupho, Director-General of the Fine Arts Department at the time, had travelled to see the song playing at Ban Kao village by himself. After seeing it, it was assumed that it was one of the local games on the verge of extinction, so on June 5, 1963, the artists of the Fine Arts Department travelled to Ban Kao, chorakhephuak Subdistrict, Mueang District, Kanchanaburi Province, to practice and inherit the playing of Rum yew by Mr. Thiam Thongpoon, the headman of Ban Kao. Locals had organized for the dancers to demonstrate and transmit the technique on the field in front of Ban Kao Public School. Small songs were a lot of joy to play. In the past, when a band was formed to play, the members would have a good time and may play all day and night.

             The reason for calling this type of play “dance yew” or “dance on cloth” may be due to requests mentioning the poem word “Oi” every time, where people around that area may sing a distorted voice to “yew,” and the so-called “dance on cloth” may be called according to the method of playing that requires a cloth to be draped over or around the shoulder of the person who will Come to be their partner. Let’s have some fun with the cloth.” Following the transmission of the Rum yew, the artists of the Fine Arts Department were brought in to modify the dancing position to make it more beautiful while keeping the original lyrics untouched. Later, on February 25, 1964, the government staged a dance performance for the King and Queen of Malaysia at Thammasat University, which His Majesty King Bhumibol Adulyadej attended on this occasion. As a result, the first dance performance was planned.


Style of performance

              There is no limit to the number of players; the more the merrier. Each party has a petitioner by splitting the players into male and female parties. which will include a song father, a song mother, a son pair, and a dancer, will begin with a loud fanfare of drums for the players and the viewer. Have some fun before the tempo begins to calm down. When the music begins, the male party will come out to sing and dance while wrapping a cloth around the woman’s shoulder. When the woman has finished dressing, she will emerge to dance.

Demonstrate possibilities

             It is often used during the Songkran Festival. statutory holidays Villagers’ auspicious and joyful occasions Sometimes there will be a blend of various traditional games, especially in Phanom Thuan areas such as Ban Thuan, Ban Huai Saphan, Ban Thung Samo, and Ban Nong Pling.

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